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Sunpak Filter Catalog f o r f i l m c a m e r a s
d i g i t a l c a m e r a s
c a m c o r d e r s
c i n e c a m e r a s
a l i f e t i m e o f b e t t e r p i c t u r e s g u a r a n t e e d !
sunpak
picturesplus lters
s e e u s i n a n e w l i g h t 2
sunpak picturesplus lters
s e e u s i n a n e w l i g h t
t h e e s s e n t i a l s
for color or b&w
3
circular polarizer ultraviolet skylight
c l o s e - u p a n d c o r r e c t i o n
for color or b&w
4-5
close-up series neutral density series
c o l o r b a l a n c e a n d c o n v e r s i o n
for color
6-7
80, 85 warming series 81, 82 cooling series uorescent
s p e c i a l e f f e c t s
for color
8-9
color enhancer series graduated tone series
s p e c i a l e f f e c t s
for color or b&w
10-11
soft effect series diffusion fog vignette cross-star
e n h a n c e m e n t
for b&w
12-13
yellow orange red green
s e l e c t i o n c h a r t s
for color and b&w
13-14
light transmission light source conversion
i n t r o d u c i n g
s u n p a k
p i c t u r e s p l u s f i l t e r s
Our trusted name is now on a new line of
popular lters, backed by an extraordinary no-
questions-asked lifetime warranty. Filters built
to our exacting standards so you focus on the
image, not on your camera. No-nonsense lters
to help you make the most of almost every
photo opportunity.
Discover how Sunpak PicturesPlus Filters
can make you the better photographer you know
you are. Ask your dealer about the full line of
lters and our lifetime warranty, today.
T o C A D A m e r i c a I n c .
5 3 G r e e n P o n d R o a d
R o c k a w a y , N J 0 7 8 6 6
9 7 3 . 6 2 7 . 9 6 0 0
w w w . t o c a d . c o m
©19992008 ToCAD America Inc All rights reserved.
Design: Ignite Technology & Creative Partners, Inc. 3
c i r c u l a r p o l a r i z e r u l t r a v i o l e t s k y l i g h t
s k y l i g h t
1 a
Eliminates unpleasant bluish tint caused by
reected blue sky light and ultraviolet rays
in sunny outdoor photography. Can be
used at all times to protect the front
surface of any lens from dirt, ngerprints,
and scratches.
u l t r a v i o l e t
u v
Improves contrast and color saturation
by reducing the effects of ultraviolet light
and atmospheric dust and haze in sunny
landscapes, including mountain, marine and
aerial scenes. Can be used in combination
with polarizer for stunning scenics, or to
protect the front lens element from dirt,
ngerprints, and scratches.
c i r c u l a r p o l a r i z e r
c - p o l
Increases color saturation and contrast by
reducing reections from non-metallic
surfaces and by cutting through haze.
Deepens sky color. Generally requires
through-the-lens viewing.
ALSO AVAILABLE: thin ring version to avoid
vignetting with wide angle lenses.
the essentials
fo r c o l o r o r b l a c k a n d w h i t e 4
c l o s e - u p
+ 4
Closest focusing range using a single close-
up lter. With the focusing scale of a
35mm cameras normal lens set at 39"
(1 meter), the image area covered is about
2.5"x4". Actual distance to subject is about
7.5". The set of three Close-Ups comes
complete with a padded leather case.
c l o s e - u p
+ 2
Closer focusing range than +1. With the
focusing scale of a 35mm cameras normal
lens set at 39" (1 meter), the image area
covered is about 4"x6". Actual distance to
subject is about 12.5". Any Close-Up in set
may be combined with others for greater
closeup capability. Close-Ups do not require
additional exposure compensation.
c l o s e - u p
+ 1
Sold as set of three (+1, +2 and +4 values),
this series extends the close focus capability
of most lenses for stunning close-ups. +1
version offers modest close-focus extension.
With the focusing scale of a 35mm
cameras normal lens set at 39" (1 meter),
the image area covered is about 7"x10.5".
Actual distance to subject is about 18". 5
n e u t r a l d e n s i t y
n d 2 x
Series reduces light transmission in
controlled amounts, without changing
color balance. Allows slower exposure
speeds, or larger lens apertures, used to
enhance motion, or to separate foreground
subjects from confusing backgrounds.
ND2x version allows a one-stop exposure
increase (
½ light is transmitted to lm).
n e u t r a l d e n s i t y
n d 4 x
For a two-stop exposure increase (
¼ light is
transmitted to lm). Recommend use of a
tripod for slow shutter speeds.
n e u t r a l d e n s i t y
n d 8 x
For a three-stop exposure increase (
light
is transmitted to lm). Recommend use of
a tripod for slow shutter speeds.
close-up and exposure correction
fo r c o l o r o r b l a c k a n d w h i t e
c l o s e - u p s e r i e s n e u t r a l d e n s i t y s e r i e s 6
w a r m i n g
8 1 a , 8 1 b
81A balances type B-tungsten (3200°K)
lms for 3400°K light sources, eliminating
the slight warm cast. With daylight-type
lms, it balances the cooling effect of
overcast skies or shade, and of some
strobes. 81B offers slightly warmer effect,
or balances type A or type B lm to clear
ashbulbs.
w a r m i n g
8 5 a , 8 5 b
85A matches type A (3400°K) lms, and
85B matches type B-tungsten (3200°K)
lms to daylight, eliminating the strong
bluish cast of unltered lm. 7
w a r m i n g s e r i e s c o o l i n g s e r i e s f l u o r e s c e n t
f l u o r e s c e n t
f - d l
Balances daylight-type lms for use under
many types of uorescent, vapor, and other
non-continuous spectrum light sources,
eliminating or reducing the unpleasant
greenish cast. May be combined with
warming or cooling lters to offer further
correction under certain lighting situations.
c o o l i n g
8 2 a
Balances type A (3400°K) lms for use
under tungsten (3200°K) lights. Also
reduces the effect of early morning or late
afternoon warm sunlight on daylight-type
lms, and excessive warmth of household
incandescent lights on type B-tungsten
(3200°K) lms.
c o o l i n g
8 0 a , 8 0 b
Series matches daylight-type lms to
incandescent light sources, eliminating the
strong reddish cast of unltered lm. Use
the 80A version under 3200°K light
sources, and the 80B version under
3400°K light sources.
color balance and conversion
t o m a t c h c o l o r f i l m s t o l i g h t s o u r c e 8
r e d e n h a n c e r
r - e n
Series is designed to intensify specic
portions of the color spectrum, without
an obvious, ltered appearance. Red
Enhancer is perfect for making autumn
colors, sunsets, brick houses, tomatoes,
and other orange-, red-, or brown-toned
subjects look their best.
NOTE: Filter appears pale green.
g r e e n e n h a n c e r
g - e n
Makes the greens of forests, meadows,
hills, and other green subjects vivid.
b l u e e n h a n c e r
b - e n
Blue subjects, such as snowscapes,
mountains, and the sea, look their best
with this lter. Can also be used to reduce
the effect of reddish sunlight in early
morning or late afternoon and make cloudy
skies look blue. 9
s e p i a g r a d u a t e d t o n e
s - g t
Controls exposure like the Gray version,
but adds a rich sepia tone to the bright
areas. Use for setting a mood or special
effect.
w i n e g r a d u a t e d t o n e
w - g t
Controls exposure like the Gray version,
but adds a rich rose tone to the bright
portion of picture. Ideal for creating
sunsets, mood, or special effects shots.
g r a y g r a d u a t e d t o n e
g - g t
Series balances light intensity in scenics and
other subjects with vast differences in
brightness between dark foreground and
pale sky or bright background, reducing
color washout or plugged-up shadows.
Gray version is neutral in color, and creates
dramatic, vibrant landscapes. May be
combined with a polarizer or other lter.
special e
ects
fo r c o l o r
c o l o r e n h a n c e r s e r i e s g r a d u a t e d t o n e s e r i e s 10
s o f t e f f e c t
s e - a
Add a controlled amount of blur to the
entire image while maintaining basic image
edges with the Soft Effect series. Perfect for
a dreamlike appearance. Soft effect A offers
a subtle change.
s o f t e f f e c t
s e - b
Adds more softness to subject than A
version. Great for softening the appearance
of hard-edged subjects.
d i f f u s i o n
d i f
Softens highlights and hard edges for
attering portraits, smoothing out textures,
blemishes, and lines.